Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names...
It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading →
View Article“The future lion is already showing its paws” – The revision of Beethoven’s...
G. Henle publishing house is well known for putting its … Continue reading →
View ArticleNon-stop “lombardic” rhythm? On a minute text problem in Mozart’s d-minor...
The exceptionally lighthearted D-major Trio of the Menuetto in Mozart’s … Continue reading →
View ArticleB(e) sharp – what would you play in Mozart’s piano variations K. 265?
Mozart over and over again: In the last blog two … Continue reading →
View Article‘But it says in the autograph…’ – on a frequently posed question about our...
Are you also one of those manuscript hunters on the … Continue reading →
View ArticleTempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names...
In the first part of my blog on the famous … Continue reading →
View Article“A Little Spring Melody”– finally in Urtext!
Many a reader will be thinking, I must be mistaken … Continue reading →
View ArticleViva la música española – Spanish music in Henle Urtext Editions
Emerging in the 19th century in nearly all of Europe … Continue reading →
View Article“Lunga e laboriosa fattica” – Attempting to interpret Mozart’s c-minor trio...
When the composer’s autograph manuscript of a music work is … Continue reading →
View ArticleNew editions for the clarinet – Brahms and Gade
The clarinet was again featured in our recent editions of … Continue reading →
View ArticleThe many footnotes of Rosamunde
All good things come in threes – this is also … Continue reading →
View ArticleAutographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an...
Editing a Beethoven work solely on the basis of a … Continue reading →
View ArticleConfusion surrounding Chopin’s Scherzi – episodes 2 & 3
In my blog post of 21 March 2016, I lamented … Continue reading →
View ArticleDebussy in Urtext – Part 1: Henle Editions from an experienced duo
2012 was the 150th birthday of Claude Debussy, French music’s … Continue reading →
View Article“Right”? or “Wrong”? On a questionable note in Mendelssohn’s c-minor Piano...
Occasionally in the edition business there is an insoluble conflict … Continue reading →
View ArticleDebussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”
One of the outstanding quality features of the Henle Editions … Continue reading →
View ArticleWhat?! Is it already Christmas now? New Bartók titles at Henle
Of course not, Christmas is out of the question only … Continue reading →
View ArticleLa Vega – The fertile plain: Isaac Albeniz’s homage to Granada and the...
A few weeks ago my colleague Peter Jost reported here … Continue reading →
View ArticleConfusion about Chopin’s Scherzi – episode 4
At the beginning of the year I reported on my … Continue reading →
View ArticleDebussy in Urtext – Part 3: Debussy’s recordings of his piano music
Editors of Urtext editions have added a new medium as … Continue reading →
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